So worth it going on Tinder to find Thisguy!
And just so you know what we're dealing with here. . . and this too!
And also, this review of our world and Donna's book.
Scary shit all around
So worth it going on Tinder to find Thisguy!
And just so you know what we're dealing with here. . . and this too!
And also, this review of our world and Donna's book.
Scary shit all around
Inwardly, here things are not as placid as they seem.
The logging trucks roll by, piled with oak logs one to two feet in diameter—sometimes piled higher than my porch. I wish I had gotten a picture of the pile that rolled off a truck last week being picked up with a front loader. Didn't think of it at the time. People in town have called the state police, but they never come down here. Bill thought he should paint a Keith Haring-like outline of a person on the road. I thought maybe of a dog. I have also considered a midnight installation of quikcrete sleeping policemen. I mean, the posted speed limit is 40 mph, and these trucks are going 80. Carly called the state rep, and I thought that was a good idea, so I wrote "my" state rep and senator. They don't need to know I vote in NYC.
A triumph! And thanks to Bill and Carla for the float!
But entertainments at the Goose are nothing to what is going on next door to Bill and Carla. Bill sold a guy a piece of land, and he has built a palace on the riverbank. The first thing he built was his outdoor kitchen and bar (below). Then he started in on the deck on the river (which Bill and Carla and Denise and Martin and I were able to enjoy after dude knocked off for the day) and a tower on piers. The neighbor throws big crawdad boil parties and cooks lunch for his construction crew there. Carly has been invited, but so far I have not. We'll see!
I notice that I tend to sit in my seat and take pictures from there. This is not actually a good thing. If I were instructing a young photog, I would say, "Move around. Get high, get low, move around the subject." However, I don't seen to follow my own advice.
Yesterday we lost a real journalist. Dick Stolley joined Life Magazine
in 1953, when magazines and pictures were important. As a reporter, writer, bureau chief and managing editor, he covered the world, from the civil rights movement on. He is the person who had the news sense—and skill at negotiating—to land the rights to the only film of JFK's assassination. He also hired me for the first issue of a magazine he founded called People, my first job in a career that would change my life, much of it at Life and People. Over the years he hired me back twice, and taught me—and many others—what it was to be a journalist, back when that was a respected job title rather than a word spit out dismissively.
Everyone's a critic, but only a handful have the critical eye. And one of them is gone.